Designed by Alexander Girard in 1948 for Knoll, this asymmetrically shaped coffee table epitomises mid-20th-century aesthetics. Its discreet, simple and uncluttered design reflects Alexander Girard's vision that 'art is only art if it is synonymous with living'. This coffee table was created above all to be functional. It has become a modern classic that will blend into any style of living room. The organic shapes of the Girard coffee table will add a decorative, sophisticated and modern touch to your interior.
Born in 1907 in New York, Alexander Girard is one of the emblematic figures of post-war American design. Trained as an architect, he remained in the shadows for a long time before becoming head of the fabrics and textiles division of publisher Herman Miller, for whom he created a multitude of brightly coloured fabrics with a strong taste for geometric patterns and abstract shapes. These inspirations have their roots in travels and discoveries around the world. He was also friends with designers George Nelson and Charles & Ray Eames. Alexander Girard stands out not only for his furniture designs, but also for his series of quirky wooden figures known as "Wooden Dolls" or "Figurine Dolls". Now published by Vitra, his work is still echoing. In 1962, with the help of his wife, he created the Girard Foundation, listing a collection of over 100,000 pieces. When he died in 1993, his heirs donated his archive of sketches, prototypes and samples to the Vitra Design Museum.
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KNOLL
Founded in 1938 in the United States, Knoll is a manufacturer of designer furniture and office furniture equipment whose focus is placed firmly on excellence. Knoll has always sought to modernise design ever since it was founded. For furniture manufacturer Knoll, beautiful design is synonymous with a profitable business model. Today, the company is convinced that its principle works, as Knoll International has been a leading design company for over 70 years. Hans and Florence Knoll have developed one of the most creative and prolific companies of the post-war period. The couple imposed their design vision thanks to the Planning Unit, combining interior architecture, design, production, textiles and graphic design.