20%
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre

Floor Lamp AJ FLOOR Bleu cendre LOUIS POULSEN

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Dessinés par Arne Jacobsen et édités par Louis Poulsen en 1960 pour le SAS ... Learn more
Designer :
Arne JACOBSEN
Availability :
Available in 1 to 2 weeks
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AJ FLOOR Bleu cendre
AJ FLOOR Bleu cendre
€928.00 €1,160.00
€773.33 HT

Description

Dessinés par Arne Jacobsen et édités par Louis Poulsen en 1960 pour le SAS Royal Hôtel à Copenhague (Radisson Blu), les luminaires AJ faisaient partie, à l’origine, du concept de design complet créé pour l'Hôtel. Arne Jacobsen a non seulement dessiné les plans de l’hôtel, mais aussi imaginé dans les moindres détails la décoration intérieures de ce dernier. Bon nombre de produits dessinés à cette occasion sont aujourd'hui des icones du design, comme les fauteuils Egg et Swan. Les lampes AJ ont obtenu également une renommée mondiale. Le lampadaire AJ Floor est caractérisé par la forme asymétrique particulière de son abat-jour orientable. L’orifice dans son socle souligne l’élégance et la légèreté du design. Edités par Louis Poulsen et disponibles en lampe de table et en lampadaire, les luminaires AJ émettent une lumière dirigée vers le bas. L'angle de l'abat-jour peut être modifié afin d'optimiser l'éclairage. Les luminaires AJ de Louis Poulsen restent au fils du temps des classiques modernes dans le domaine des luminaires design. L'intérieur de l'abat-jour est peint en blanc afin de rendre la lumière plus douce et confortable. Le AJ Floor est disponible en trois couleurs : blanc, noir et graphite.
Technology
1 x 20w e27
Color
bleu cendre
Dimensions
l 27,5cm x h 130cm, diffuseur l 32,5cm
Matériaux
acier étiré, socle zinc moulé sous pression
Availability
1 à 2 semaines
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1.
Arne JACOBSEN

Born in Copenhagen in 1902, Arne Jacobsen trained as a mason at the Technical College in Copenhagen, before studying architecture at the Royal Danish Academy of Fine Arts, where he graduated in 1927. He initially worked for Paul Holsoe, an architect, before founding his own practice in 1930. One of his significant creations was the Bellavista apartment block in Klampenborg (1933-1934), which earned him the nickname "Danish Le Corbusier." From 1934 onwards, Jacobsen worked closely with Fritz Hansen, a company he was particularly proud of. His furniture can be found in museums and hotels worldwide. Jacobsen was a key figure in the Danish functionalist movement, advocating for rational, functional architecture. He also laid the groundwork for Scandinavian organic modernism. The 1950s were among Jacobsen's most productive years. In 1952, he designed the Ant Chair for a major pharmaceutical company, which remains one of Denmark's best-selling furniture pieces. One of its variations, the Series 7 chair or 3107, was also a commercial success. In 1958, one of his most significant projects began: the design and fitting-out of the SAS Royal in Copenhagen. This project produced the iconic Egg and Swan armchairs, along with the AJ lamps, all characterized by their elegant, timeless design. Arne Jacobsen's legacy is still very much present in Denmark, where many buildings, houses, theatres, schools, and hotels bear his signature. Internationally, his greatest achievement was the design of St Catherine's College, Oxford, which gave rise to the famous Oxford chair. Fritz Hansen continues to produce Jacobsen's pieces, which have become design classics. His influence on Scandinavian design is still evident today.

2.
LOUIS POULSEN

Danish brand Louis Poulsen was founded in 1874, originating from traditional Scandinavian design where form follows function. Louis Poulsen became the owner of the company in 1906 after the death of his uncle, Ludvig R. Poulsen. Louis Poulsen’s approach to architectural development began when he collaborated with one of the world’s leading lighting designers, Poul Henningsen. In 1924, the designer began collaborating with Louis Poulsen lighting; their objective was to take part in the "International Exhibition of Modern Decorative and Industrial Arts". In 1925 the collaboration proved successful and the Poul Henningsen lamps won the gold medal.

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