The Dragonfly 20 collection consists of armchairs, sofas and chaise longues that add grace and charm to both domestic spaces and reception areas like lobbies, lounges, waiting rooms and suites. Characterised by its compact dimensions, the Dragonfly 20 sofa rests on elegant legs made of cast aluminium or solid ash, both available in an array of sophisticated finishes. The graceful lines that are unique to the Dragonfly 20 sofa are enhanced by delicate grosgrain piping, finishing off the cover and highlighting the artisan craftsmanship that lies behind the Flexform Mood collection.
Born in Pisa, Roberto Lazzeroni studied art and architecture in Florence. From the outset, he has always shown an interest in the phenomena of both the conceptual art world and radical design.In the early 1980s, he began to take an interest in industrial and interior design, a specialisation that he defined as "fundamental" for the next approach to the world of the "industrial product".After the experience with Ceccotti Collezioni that began in 1988, Roberto Lazzeroni began collaborating also with many other important companies.As a connoisseur of the history of design and its associated signs, he is highly skilled at putting this knowledge into practice on a daily basis.Speaking of his own projects, Lazzeroni uses the expression "sentimental conception"; indeed, it is easy, even for the untrained eye, to see the tension between past and future in these works. Roberto Lazzeroni has an extremely dynamic career path that now allows him to be involved in various projects and obtain prestigious collaborations in contract design, interior design and art direction, in different parts of the world. The prizes he has won include: Techniques Discrètes (Paris, 1991), Conran Foundation Museum (London, 1992), Elegant Techniques (Chicago, 1992), La Fabbrica Estetica (Paris, 1993), Dall'Albergo alla Nave (Genoa, 1993), Costruire il mobile (Milan 1999).
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FLEXFORM MOOD
The Flexform MOOD collection reveals a contemporary classic aura. This universe is similar to Flexform's, but its stylistic journey is more eclectic and speaks many languages; it is even able to integrate codes of the past and translate them into contemporary style via a process of simplification. MOOD flows from retro to art deco, stripped of stylistic ornamentation and unnecessary styling thanks to meticulous work to scale down the aesthetics. The collection as a whole expresses the refined richness of details, fabrics and natural wood worked according to the rules governing the carpenter's art, as well as the invaluable contribution of craftsmanship. MOOD plays with the formation of memory.